Foundation Vinyl Newsletter
Welcome
Hello and welcome to this week’s newsletter! And what have we got lined-up?
- Our four Featured New Arrivals this week are absolute belters from Canal Irreal, Public Acid, and Hackers plus a cracking split LP from Accidente and Nighwatchers.
- Hardcore Histories, provides a quick round-up of recently landed and restocked reissues from Cress, Hellnation, and pageninetynine.
- Shows And Tours, including newly announced shows from Enemic Interior and Grazia.
- Coming Soon, highlighting new arrivals on their way to us from Alerta Antifascista, Discos Enfermos, La Vida Es Un Mus Discos, Static Age, and Vitriol.
Also, just a quick heads up that Planet B’s Fiction Prediction and Stress Positions’ Harsh Reality are both now back in stock for anyone who missed out first time round!
Featured New Arrivals
Some Else’s Dance by Canal Irreal / Split by Accidente and Nightwatchers / Deadly Struggle by Public Acid / Psy Wi-FI by Hacker (clockwise)
‘Crawl in ash, Mirage of who we were, Have we forgotten ourselves? We’ve gone mad, Are we fearing death? Or just afraid to live?’ (Mirage)
Featuring members of Los Crudos / Limp Wrist and Sin Orden, Canal Irreal took their bow with 2021’s excellent self-titled full-length and they have returned with a certified belter of a follow-up that infuses their darkly melodic post-punk with a bristling hardcore energy. There is no clutter, but rather a sonic palette that affords each element the space to fully breathe. A wonderfully supple rhythm section provides the grounding for the gruff, melodic vocals (which are primarily in English this time round) as they explore themes of being true to oneself (I Failed), not surrendering to nostalgia to avoid the challenges of today (Mirage), and creating space within a world predicated around conflict (Tranquility).
And in between, the utterly propulsive guitar weaves its bewitching, melancholic spell, on one hand writhing sinuously, on the other betraying an almost crystalline brittleness, yet always dangerously enticing. And I love the brass flourish on 40 Chairs before it flows into a jaggedly raw guitar solo. The result is the insidiously sing-along catchiness of Withdrawal and I Failed, jousting alongside the surging, spiky Mirage and Tranquility, before the stomping, discordant spoken word ode to their home city on Chicago. Make no mistake though, this is undoubtedly Canal Irreal’s dance and once that needle is dropped, you will have very little choice but to join in with unrestrained gusto.
Accidente and Nightwatchers both deal in politically charged melodic punk. And it is these shared inspirations that provide the perfect starting point for them to create a split LP that is as musically engaging as it is thought-provoking, with each band vividly realising their own distinctive take.
Accidente hail from Madrid, and this is their first release since 2020’s Canibal. Their four tracks, which close out with a cover of 1980s’ Spanish band Alarma, are characteristically high-octane contributions, fuelled by upbeat, energetically layered Spanish language vocals, and brightly infectious guitars. This uplifting tone disguises the darker lyrical concerns.
Opener Lxs Invisibles (‘The fire brought heat, To The invisible ones because, What the eye doesn’t see, The heart doesn’t feel’) explores themes of protest and oppression based on Nanni Balestrini’s 1987 novel, Gli Invisibili (The Unseen). The next two tracks focus on how society is becoming increasingly atomised on Atajos (‘We live so fast, We cry so lonely, Looking for a thousand excuses’), but also dissect how current perceptions that somehow everything starts with ourselves, and our own well-being, serve to undermine our collective needs on Interdependencia (‘Don’t tell me about my inner world, The conflict is out there, My problems are not just me’).
In contrast, the six tracks from Toulouse’s Nightwatchers, which also include a cover version J’ai Peur (I Am Scared) by 1980s French punks Bérurier Noir, display a decidedly more sombre hue. Their surging hardcore punk has a harder edge, and one that is immersed in a deep-seated, melancholic melodicism as clean guitars interplay with semi-shouted, anarcho-punk leaning vocals in a vein akin to Red Dons.
Lyrically, their songs examine the Algerian War of Independence and, specifically, the Battle of Algiers in 1957 through the writings of Yves Courrière’s second volume on the conflict, Le Temps des Léopards (The Time of Leopards). The band skilfully evoke the uneasy atmosphere that gripped the city on 2 Temps, 3 Mouvements (‘It doesn’t take much, A movement of impatience, A little bit of pride, In the way you walk, A burst of defiance in the eyes’), the fear that ensued with the arrival of French paratroopers on Casbah D’Hiver (‘Confident gestures, Clean-shaven faces, Menacing moves, Chilling eyes’), and the bleak horrors of torture and disappearance that later emerged on 4,000 Morts (‘Methods that go beyond the reason, 4,000 dead are missing from the cemetery’).
‘Phoney fascists, trendy hate, better learn some dialectics, before it’s too late’ (Slow Bleed)
North Carolina’s Public Acid are back and further ratchet up the intensity on this follow-up to their very fine 2020 EP, Condemnation. And have no doubt, this is an utterly fierce record. The band continue to meld a hardcore punk base with their searing metallic instincts to scabrous effect. Buzzsaw guitars lay down a blistering assault that segues into crunching mid-paced Entombed-style gallops (Slow Bleed, End Of Pain) and truly crushing slower paced grooves (Ignorance, Deadly Struggle), with equally unrestrained relish.
Meanwhile, demonically frenzied solos are unleashed with reckless abandon, with those on Ignorance and End Of Pain, perhaps, the stand outs. A merciless, yet nuanced, rhythm section ensures that a semblance of grip is maintained, while rabidly raw vocals explore the causes and consequences of America’s continued political polarisation and social dislocation. And, as soon as it is over, you will want to dive back into its darkly dissonant embrace all over again.
‘I am a cop for the forms that you will fill, for the lease that you take, the commission I make, I am a snitch with a line to the rich, I develop / destroy for my slice of the cake’ (Scammer)
Melbourne’s Hacker return to the fray with an utterly ferocious four-track EP follow-up to 2021’s explosive Pick Your Path debut. A thunderously resonant bass and brutally intense drumming supply the perfect footing for the slab-like riffage as the band stomp from mid-paced groove to pit mayhem inducing breakdowns with an irresistible, relentless compulsion. Rasping, growled vocals are delivered with a visceral, rhythmic hostility that is not immune to a killer chorus, as the band tackles themes of parasitical capitalism (Scammer), the exploitation inherent to the gig economy (Deliverator), and our likely dystopian future born of natural resource scarcity (Three Quarter Dead).
Hardcore Histories
Colonized by Hellnation / Document #8 by pageninetynine / Monuments by Cress (left to right)
So, to a quick round-up of recently released and restocked reissues. First up, and just in, is the remastered reissue of Cress’ 1997 full-length, Monuments. The Lancastrian band render an almost timeless blend of doom inflected anarcho-crust punk, which boasts some intriguingly off-kilter turns courtesy of otherworldly passages of spaced-out synthesisers and flourishes of blues-tinged guitar The highlight though is the duelling twin vocalists – one raw, guttural, the other cleaner, sneering – as they tackle themes of environmental catastrophe and social control. This is a co-release from Fight For Your Mind, Ruin Nation, and Profane Existence.
Also on Fight For Your Mind, we have restocked the 30-year anniversary reissue of Hellnation’s 1993 debut album, Colonized. Hailing from Kentucky, Hellnation dealt in blistering blast beats and swaggering sludge-fuelled breakdowns, while harshly raw vocals explored themes of economic exploitation, police militarisation, and misogyny through the band’s explicitly anarchist framing.
And last, but certainly by no means least, we have also restocked Persistent Vision’s recent reissue of pageninetynine’s 2001 full-length, Document #8. Comprising eight members, (twin vocalists, three guitarists, two bassists, and a drummer), the Virginian band revelled in producing tense, raw emotional hardcore, its unhinged quality belying an intense technicality. The chaos erupts into repetition of cathartic clarity (In Love With An Apparition), and segues into passages of haunting, uneasy beauty (The Hollowed Out Chest Of A Dead Horse) with almost equal relish. This reissue includes the band’s two tracks from their 2001 A Split Personality split EP with City Of Caterpillar.
Shows And Tours
Zeropolis and Hygiene at New River Studios this Friday
This section lays no claims to being a definitive listing! It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in. I will always try and highlight where a show forms part of a wider UK tour.
15th March Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)
16th March Prey, T.R.E.S.T, Ashes Of Death plus more (Helgi’s)
17th March Grazia, Music Room, Shade, Morreadoras (New River Studios)
20th March Ignite, False Reality, Hell Can Wait (Black Heart)
23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)
31st March Fundraiser For Milo featuring The Chisel, Chubby And The Gang, Powerplant, Stingray, Middleman, Rifle, Micromoon, Hellscape plus more (Oslo)
2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)
4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)
6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)
6th April Enemic Interior, Rifle, Zeropolis (Waiting Room / UK Tour)
6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)
13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)
17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)
29th April The Drin, Tommy Cassock And The Degenerators plus more (New Cross Inn / UK Tour)
7th May Moloch, Remote Viewing, Healing Wound, Torpid State (Black Heart)
11th May Soulside and Scream (The Lexington)
18th May Snuff plus support (Downstairs at The Dome / UK Tour)
20th May World Peace, Flesh Creeper, Asbo (New Cross Inn / UK Tour)
1st June Long Knife plus support (New River Studios / UK Tour)
12th June Judy & The Jerks, Gimic plus more (Shacklewell Arms / UK Tour)
17th June Gel plus support (The Garage / UK Tour)
22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)
Coming Soon
Eyeballer by JJ And The A’s
March
Aihotz ‘Niebla Total’ 12-inch (Discos Enfermos)
Aus ‘Der Schöne Schein’ 7-inch (Static Age)
Cosey Mueller ‘Irrational Habits’ 12-inch (Static Age)
Desintegración Violenta ‘La Bestia’ 7-inch (Static Age)
Industry ‘A Self-Portrait At The Stage Of Totalitarian Domination Of All Aspects Of Human Life’ 12-inch (Static Age)
JJ And The A’s ‘Eyeballer’ 7-inch (La Vida Es Un Mus)
Mirage ‘Immagini Postume’ 7-inch (Discos Enfermos)
No Sun Rises ‘Harmisod’ 12-inch (Alerta Antifascista)
Noj ‘Waxing Moon’ 12-inch (Static Age)
Sweat ‘Love Child’ 12-inch (Vitriol)
Wreathe ‘The Land Is Not An Idle God’ 12-inch (Alerta Antifascista / Pre-Order)
April
Deaf Club, Diploid, Frail Body, Gouge Away, Heavenly Blue, Infant Island, Modern Life Is War, No Man, Prisoner, Sectarian Bloom, Squid Pisser (restock), and Unsufferable.