Foundation Vinyl Newsletter

Welcome

Hello and welcome to this week’s newsletter!  And what have we got lined-up?

  • Our four Featured New Arrivals this week are absolute belters from Canal Irreal, Public Acid, and Hackers plus a cracking split LP from Accidente and Nighwatchers.
  • Hardcore Histories, provides a quick round-up of recently landed and restocked reissues from Cress, Hellnation, and pageninetynine.
  • Shows And Tours, including newly announced shows from Enemic Interior and Grazia.
  • Coming Soon, highlighting new arrivals on their way to us from Alerta Antifascista, Discos Enfermos, La Vida Es Un Mus Discos, Static Age, and Vitriol.

Also, just a quick heads up that Planet B’s Fiction Prediction and Stress Positions’ Harsh Reality are both now back in stock for anyone who missed out first time round!

Featured New Arrivals

Some Else’s Dance by Canal Irreal / Split by Accidente and Nightwatchers / Deadly Struggle by Public Acid / Psy Wi-FI by Hacker (clockwise)

‘Crawl in ash, Mirage of who we were, Have we forgotten ourselves? We’ve gone mad, Are we fearing death? Or just afraid to live?’ (Mirage)

Featuring members of Los Crudos / Limp Wrist and Sin Orden, Canal Irreal took their bow with 2021’s excellent self-titled full-length and they have returned with a certified belter of a follow-up that infuses their darkly melodic post-punk with a bristling hardcore energy.  There is no clutter, but rather a sonic palette that affords each element the space to fully breathe.  A wonderfully supple rhythm section provides the grounding for the gruff, melodic vocals (which are primarily in English this time round) as they explore themes of being true to oneself (I Failed), not surrendering to nostalgia to avoid the challenges of today (Mirage), and creating space within a world predicated around conflict (Tranquility).

And in between, the utterly propulsive guitar weaves its bewitching, melancholic spell, on one hand writhing sinuously, on the other betraying an almost crystalline brittleness, yet always dangerously enticing.  And I love the brass flourish on 40 Chairs before it flows into a jaggedly raw guitar solo. The result is the insidiously sing-along catchiness of Withdrawal and I Failed, jousting alongside the surging, spiky Mirage and Tranquility, before the stomping, discordant spoken word ode to their home city on Chicago.  Make no mistake though, this is undoubtedly Canal Irreal’s dance and once that needle is dropped, you will have very little choice but to join in with unrestrained gusto.

Accidente and Nightwatchers both deal in politically charged melodic punk.  And it is these shared inspirations that provide the perfect starting point for them to create a split LP that is as musically engaging as it is thought-provoking, with each band vividly realising their own distinctive take.

Accidente hail from Madrid, and this is their first release since 2020’s Canibal.  Their four tracks, which close out with a cover of 1980s’ Spanish band Alarma, are characteristically high-octane contributions, fuelled by upbeat, energetically layered Spanish language vocals, and brightly infectious guitars.  This uplifting tone disguises the darker lyrical concerns.

Opener Lxs Invisibles (‘The fire brought heat, To The invisible ones because, What the eye doesn’t see, The heart doesn’t feel’) explores themes of protest and oppression based on Nanni Balestrini’s 1987 novel, Gli Invisibili (The Unseen).  The next two tracks focus on how society is becoming increasingly atomised on Atajos (‘We live so fast, We cry so lonely, Looking for a thousand excuses’), but also dissect how current perceptions that somehow everything starts with ourselves, and our own well-being, serve to undermine our collective needs on Interdependencia (‘Don’t tell me about my inner world, The conflict is out there, My problems are not just me’).

In contrast, the six tracks from Toulouse’s Nightwatchers, which also include a cover version J’ai Peur (I Am Scared) by 1980s French punks Bérurier Noir, display a decidedly more sombre hue.  Their surging hardcore punk has a harder edge, and one that is immersed in a deep-seated, melancholic melodicism as clean guitars interplay with semi-shouted, anarcho-punk leaning vocals in a vein akin to Red Dons.

Lyrically, their songs examine the Algerian War of Independence and, specifically, the Battle of Algiers in 1957 through the writings of Yves Courrière’s second volume on the conflict, Le Temps des Léopards (The Time of Leopards).  The band skilfully evoke the uneasy atmosphere that gripped the city on 2 Temps, 3 Mouvements (‘It doesn’t take much, A movement of impatience, A little bit of pride, In the way you walk, A burst of defiance in the eyes’), the fear that ensued with the arrival of French paratroopers on Casbah D’Hiver (‘Confident gestures, Clean-shaven faces, Menacing moves, Chilling eyes’), and the bleak horrors of torture and disappearance that later emerged on 4,000 Morts (‘Methods that go beyond the reason, 4,000 dead are missing from the cemetery’).

‘Phoney fascists, trendy hate, better learn some dialectics, before it’s too late’ (Slow Bleed)

North Carolina’s Public Acid are back and further ratchet up the intensity on this follow-up to their very fine 2020 EP, Condemnation.  And have no doubt, this is an utterly fierce record.  The band continue to meld a hardcore punk base with their searing metallic instincts to scabrous effect.  Buzzsaw guitars lay down a blistering assault that segues into crunching mid-paced Entombed-style gallops (Slow Bleed, End Of Pain) and truly crushing slower paced grooves (Ignorance, Deadly Struggle), with equally unrestrained relish.

Meanwhile, demonically frenzied solos are unleashed with reckless abandon, with those on Ignorance and End Of Pain, perhaps, the stand outs.  A merciless, yet nuanced, rhythm section ensures that a semblance of grip is maintained, while rabidly raw vocals explore the causes and consequences of America’s continued political polarisation and social dislocation.  And, as soon as it is over, you will want to dive back into its darkly dissonant embrace all over again.

‘I am a cop for the forms that you will fill, for the lease that you take, the commission I make, I am a snitch with a line to the rich, I develop / destroy for my slice of the cake’ (Scammer)

Melbourne’s Hacker return to the fray with an utterly ferocious four-track EP follow-up to 2021’s explosive Pick Your Path debut.  A thunderously resonant bass and brutally intense drumming supply the perfect footing for the slab-like riffage as the band stomp from mid-paced groove to pit mayhem inducing breakdowns with an irresistible, relentless compulsion. Rasping, growled vocals are delivered with a visceral, rhythmic hostility that is not immune to a killer chorus, as the band tackles themes of parasitical capitalism (Scammer), the exploitation inherent to the gig economy (Deliverator), and our likely dystopian future born of natural resource scarcity (Three Quarter Dead).

Hardcore Histories

Colonized by Hellnation / Document #8 by pageninetynine / Monuments by Cress (left to right)

So, to a quick round-up of recently released and restocked reissues.  First up, and just in, is the remastered reissue of Cress’ 1997 full-length, Monuments.  The Lancastrian band render an almost timeless blend of doom inflected anarcho-crust punk, which boasts some intriguingly off-kilter turns courtesy of otherworldly passages of spaced-out synthesisers and flourishes of blues-tinged guitar  The highlight though is the duelling twin vocalists – one raw, guttural, the other cleaner, sneering – as they tackle themes of environmental catastrophe and social control.  This is a co-release from Fight For Your Mind, Ruin Nation, and Profane Existence.

Also on Fight For Your Mind, we have restocked the 30-year anniversary reissue of Hellnation’s 1993 debut album, Colonized.  Hailing from Kentucky, Hellnation dealt in blistering blast beats and swaggering sludge-fuelled breakdowns, while harshly raw vocals explored themes of economic exploitation, police militarisation, and misogyny through the band’s explicitly anarchist framing.

And last, but certainly by no means least, we have also restocked Persistent Vision’s recent reissue of pageninetynine’s 2001 full-length, Document #8.  Comprising eight members, (twin vocalists, three guitarists, two bassists, and a drummer), the Virginian band revelled in producing tense, raw emotional hardcore, its unhinged quality belying an intense technicality.  The chaos erupts into repetition of cathartic clarity (In Love With An Apparition), and segues into passages of haunting, uneasy beauty (The Hollowed Out Chest Of A Dead Horse) with almost equal relish.  This reissue includes the band’s two tracks from their 2001 A Split Personality split EP with City Of Caterpillar.

Shows And Tours

Zeropolis and Hygiene at New River Studios this Friday

This section lays no claims to being a definitive listing!  It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in.  I will always try and highlight where a show forms part of a wider UK tour.

15th March  Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)

16th March Prey, T.R.E.S.T, Ashes Of Death plus more (Helgi’s)

17th March Grazia, Music Room, Shade, Morreadoras (New River Studios)

20th March Ignite, False Reality, Hell Can Wait (Black Heart)

23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)

31st March Fundraiser For Milo featuring The Chisel, Chubby And The Gang, Powerplant, Stingray, Middleman, Rifle, Micromoon, Hellscape plus more (Oslo)

2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)

4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)

6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)

6th April Enemic Interior, Rifle, Zeropolis (Waiting Room / UK Tour)

6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)

13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)

17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)

29th April The Drin, Tommy Cassock And The Degenerators plus more (New Cross Inn / UK Tour)

7th May Moloch, Remote Viewing, Healing Wound, Torpid State (Black Heart)

11th May Soulside and Scream (The Lexington)

18th May Snuff plus support (Downstairs at The Dome / UK Tour)

20th May World Peace, Flesh Creeper, Asbo (New Cross Inn / UK Tour)

1st June Long Knife plus support (New River Studios / UK Tour)

12th June Judy & The Jerks, Gimic plus more (Shacklewell Arms / UK Tour)

17th June Gel plus support (The Garage / UK Tour)

22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)

Coming Soon

Eyeballer by JJ And The A’s

March

Aihotz ‘Niebla Total’ 12-inch (Discos Enfermos)

Aus ‘Der Schöne Schein’ 7-inch (Static Age)

Cosey Mueller ‘Irrational Habits’ 12-inch (Static Age)

Desintegración Violenta ‘La Bestia’ 7-inch (Static Age)

Industry ‘A Self-Portrait At The Stage Of Totalitarian Domination Of All Aspects Of Human Life’ 12-inch (Static Age)

JJ And The A’s ‘Eyeballer’ 7-inch (La Vida Es Un Mus)

Mirage ‘Immagini Postume’ 7-inch (Discos Enfermos)

No Sun Rises ‘Harmisod’ 12-inch (Alerta Antifascista)

Noj ‘Waxing Moon’ 12-inch (Static Age)

Sweat ‘Love Child’ 12-inch (Vitriol)

Wreathe ‘The Land Is Not An Idle God’ 12-inch (Alerta Antifascista / Pre-Order)

April

Deaf Club, Diploid, Frail Body, Gouge Away, Heavenly Blue, Infant Island, Modern Life Is War, No Man, Prisoner, Sectarian Bloom, Squid Pisser (restock), and Unsufferable.

Foundation Vinyl Newsletter

Welcome

Hello and welcome to this week’s newsletter!  There is a lot to get stuck into this week, so let’s get straight on it:

  • Featured New Arrivals from Public Interest, Vaguess, Morwan, and Stress Positions
  • And Damage Was Done, featuring Division Of Mind and Fairytale
  • Sister Midnight Update: South London’s community music venue co-operative hits 1,000 members!
  • Shows And Tours, including newly announced shows from Judy & The Jerks and Moloch
  • Coming Soon, including new arrivals next week from Accidente / Nightwatchers, Canal Irreal, Hacker, and Public Acid

Featured New Arrivals

Walang Hiya by Stress Positions / Thanks // No Thanks by Vaguess / Svitaye, Palaye by Morwan / Spiritual Pollution by Public Interest (clockwise)

‘Working harder, Break your back, Appease the master’s neutral stance, Look away and they’ll skim the fat, While you’re left standing still’ (Spiritual Pollution)

Public Interest is essentially a solo project for Marble Eye’s Chris Natividad, with fellow Marble Eye member Andrew Oswald handling drums and production.  The connection between the two bands is soon clear, with the infectious riffs that define Marble Eye to the fore but shaded in a decidedly more sombre hue.  Darkly rumbling bass-lines provide a resonant underpinning to Natividad’s melancholic, baritone vocals as he explores themes of economic exploitation (Spiritual Pollution), social inequality (Undone), and, at times, our own complicity in accepting the status quo (Slow Burn).  Memorable flourishes are liberally laced through the album, including the unshakeable riff that propels Undone, the rousing chorus of Why Bother?, and the haunting guitar that washes over the New Order inspired bass that opens Falling Ash.

Los Angeles’ Vaguess is the prolific and longstanding solo project of Vinny Earley, a genre-melding exploration of lo-fi punk inventiveness that fizzes with an arresting off-kilter energy.

The album boasts a myriad of stylistic interpretations from the jagged post-punk energy of Cease To Grieve and Carryon, to the more meditative reflections of Texas Clouds and Traffic 2, by way of the spikey synth punk of WKND Shadows.  And yet, there remains an impressive coherency to the album that is shaped by the well-crafted song writing and unerring ear for an irresistible underlying rhythm.  But, perhaps, the key is Earley’s semi-spoken vocal delivery, which brings a powerfully consistent voice to bear as he sardonically unpicks the inequities and contradictions of modern life.

Morwan is the solo project of Kyiv’s Alex Ashtaui.  Svitaye, Palaye (Dawning, Burning) is his third full-length release, and follow-up to 2020’s Zola-Zemlya (Grey Earth).  It was recorded during the most challenging of contexts, following the Russian invasion of Ukraine.

The album does not explicitly address the specifics of the attack on his homeland, but rather evokes the emotional responses to the war in all their oscillating forms – the pain, the grief, the anger, the frustration.  This backdrop infuses Morwan’s intensely rhythmic post-punk with an even more powerfully charged heft.  The surf-tinged guitars and pounding percussion form a tightly woven, darkly melancholic sonic tapestry, while chanted vocals lend an almost tribal aura.  Images of a bleakly dystopian future are conjured, but importantly not a future without hope – a fierce defiance burns at the very heart of this record.

‘A thirst never quenched, a belly full but never content…Lust for pleasure at our expense, your decadence will be our death’ (Lust For Pleasure)

Chicago’s Stress Positions boast three former members of C.H.E.W. plus a new vocalist, Stephanie Brooks.  Iron Lung have brought the band’s demo, Walang Hiya (No Shame in Tagalog, the national language of the Philippines), to vinyl on this single-side 12-inch.  The essence of the band remains the politically charged, rapid fire hardcore that defined their first incarnation, but with an even fiercer delivery.  There are also emerging signs of the more experimental flourishes that are subtly woven into their subsequent debut full-length, Harsh Reality.

From the moment the drums erupt through the squalling feedback opening, the intensity never drops for even a moment, as the rabid vocals explore themes of economic excess (Lust For Pleasure, Failed State), misogyny (Interloper), and imperial legacies (This Land).  The title track is, perhaps, the stand-out – a slow-burn build that ignites into a crushing stomp, and a cathartic crescendo, as it examines the oppression of the Indigenous cultures of the Philippines by the Catholic Church.

And Damage Was Done

Division Of Mind by Division Of Mind / Shooting Star by Fairytale

Well, what a weekend that was.  I topped and tailed Damage Is Done 4 on the Thursday and Sunday at New River Studios.  Both were excellent shows and, by the sounds of it, the days in between weren’t bad either!

One of the beauties of London’s longer running hardcore festivals is how well they complemented one another.  Both Static Shock and Damage Is Done obviously took / take a hardcore punk starting point, but then their line-ups would ripple out in contrasting fashions – Static simultaneously entertained both the rawer and more experimental, whereas Damage is, perhaps, happiest when indulging its more metallic instincts.

As the latest Damage Is Done approached, you inevitably began to think of stand-out performances from prior years.  For me, that was undoubtedly Division Of Mind at Damage Is Done 3 in November 2022.  The band, who hail from Richmond, Virginia, had released their self-titled debut LP back in 2019, and this was their first, and, to date, only foray outside of the US.  And what a foray it was.

The New Cross Inn was packed to the rafters as the first ominous riffs were unfurled, and you at once sensed that we were in for something special.  Their full-length brims with a darkly menacing intensity, but this was amplified well beyond anything that might have been realistically anticipated.  As vocalist Tye Decker prowled the stage with demonic intent, the industrial-inflected rhythm section laid down a truly brutal groundwork for the relentless waves of sinister metallic riffage.  It seemed as if the whole room was locked in synchronicity with the band’s remorseless groove.  At the time, it felt to me very much like the legacy of Entombed being channelled through a hardcore prism by Foundation, and I think that’s still a pretty decent benchmark.

The Friday of Damage Is Done 3 (18th November 2022)

But what about this year?  Sunday’s highlights for me were my first encounter with Warsaw’s Träume, who injected their rapid fire hardcore with flourishes of dark melodicism and a healthy dash of rock’n’roll swagger. And if ever there was a band designed to tap into the final energy reserves of a fourth day festival crowd, it is the rampaging Sheffield-forged sledgehammer that is Rat Cage.

Of course, Thursday night’s bands had the benefit of a crowd bursting with anticipation rather than one fighting through fatigue, and that was a crest that Subdued rode with quite some aplomb.  My highlight though was that evening’s headliners, New York’s Fairytale.  The band’s debut LP, Shooting Star, was undoubtedly one of last year’s highlight releases, but I was also intrigued to see how it would translate to the live setting.

The base tenets were amply in evidence – blistering, distortion drenched guitar and a furious, cymbal awash d-beat drumming assault.  But the bass felt notably more forward in the mix, which lent their sonic battery a much burlier, muscular complexion.  The album benefits from a truly virtuoso vocal performance from Lulu Landolfi that veers from rasping rage to sardonic observation to the almost ethereal, without a breath ever being taken.  Live, this was taken to an even more impressive level.  The performance was rawer, the stage presence utterly dominating – an invigorating blend of venom and disdain, leavened with a knowing humour.  The rage that simmers throughout the album was now a full-on firestorm.  In short, it was properly visceral.

As always, a big thanks to the Damage Is Done collective for pulling everything together.  It’s hard to imagine just how much work must go into organising an event of this complexity in your spare time.  But they can rest easy that it was certainly time well spent and that damage was, indeed, well and truly done.

The Sunday of Damage Is Done 4 (3rd March 2024)

Sister Midnight Update: 1,000 Members!

Sister Midnight welcomes it’s 1,000th member

As regular readers will know, Sister Midnight is a not-for-profit community co-operative that is working tirelessly to bring to life a new DIY venue in South London.  The team has already  secured a ten-year lease on the site of a former working men’s club, The Brookdale Club, in Catford at a peppercorn rate from Lewisham Council.  In addition, they have also raised significant funds for the renovation of the derelict site.  It is a thoroughly exciting project that is making significant headway.

Building a large and active community membership is key to the project’s long-term objectives, so it was great to hear that the co-operative secured its 1,000th member last week!

Back in January, Lenny Watson, one of the founding members, was kind enough to answer a few questions from me regarding the project, which you can check out here: Sister Midnight Is Coming For You.

If the aspirations of Sister Midnight strike a chord with you, please do check out becoming a member of the co-operative, if you can, at www.sistermidnight.org.

Sister Midnight, a new community music venue for London

Show And Tours

Buried Alive at New Cross Inn on Wednesday 6th March

This section lays no claims to being a definitive listing!  It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in.  I will always try and highlight where a show forms part of a wider UK tour.

6th March Buried Alive, 50 Caliber, False Reality, Mindless (New Cross Inn)

9th March Opium Lord, Torpor, Jotnarr, Harrowed (New Cross Inn)

15th March  Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)

16th March Prey, T.R.E.S.T, Ashes Of Death plus more (Helgi’s)

20th March Ignite, False Reality, Hell Can Wait (Black Heart)

23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)

31st March Fundraiser For Milo featuring The Chisel, Chubby And The Gang, Powerplant, Stingray, Middleman, Rifle, Micromoon, Hellscape plus more (Oslo)

2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)

4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)

6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)

6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)

13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)

17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)

29th April The Drin, Tommy Cassock And The Degenerators plus more (New Cross Inn / UK Tour)

7th May Moloch, Remote Viewing, Healing Wound, Torpid State (Black Heart)

11th May Soulside and Scream (The Lexington)

18th May Snuff plus support (Downstairs at The Dome / UK Tour)

20th May World Peace, Flesh Creeper, Asbo (New Cross Inn / UK Tour)

1st June Long Knife plus support (New River Studios / UK Tour)

12th June Judy & The Jerks, Gimic plus more (Shacklewell Arms / UK Tour)

17th June Gel plus support (The Garage / UK Tour)

22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)

Coming Soon

Deadly Struggle by Public Acid

Next Week

Accidente / Nightwatchers ‘Split’ 12-inch (Stonehenge)

Canal Irreal ‘Someone Else’s Dance’ 12-inch (Beach Impediment)

Cress ‘Monuments’ 12-inch (Fight For Your Mind)

Hacker ‘Psy Wi-FI’ 7-inch (Beach Impediment)

Planet B ‘Fiction Prediction’ 12-inch (Three One G / Restock)

Public Acid ‘Deadly Struggle’ 12-inch (Beach Impediment)

Stress Positions ‘Harsh Reality’ 12-inch (Three One G / Restock)

March

Aihotz ‘Niebla Total’ 12-inch (Discos Enfermos)

Aus ‘Der Schöne Schein’ 7-inch (Static Age)

Cosey Mueller ‘Irrational Habits’ 12-inch (Static Age)

Industry ‘A Self-Portrait At The Stage Of Totalitarian Domination Of All Aspects Of Human Life’ 12-inch (Static Age)

JJ And The A’s ‘Eyeballer’ 7-inch (La Vida Es Un Mus)

Mirage ‘Immagini Postume’ 7-inch (Discos Enfermos)

No Sun Rises ‘Harmisod’ 12-inch (Alerta Antifascista)

Noj ‘Waxing Moon’ 12-inch (Static Age)

Sweat ‘Love Child’ 12-inch (Vitriol)

Wreathe ‘The Land Is Not An Idle God’ 12-inch (Alerta Antifascista / Pre-Order)

April

Deaf Club, Frail Body, Gouge Away, Heavenly Blue, Infant Island, Modern Life Is War, No Man, Prisoner, Unsufferable

Foundation Vinyl Newsletter

Welcome

Hello and welcome to this week’s newsletter!  And we have a stacked line-up to enjoy:

  • Featured New Arrivals from Flower, Ataque Zero, Nasti, and States Of Nature
  • Headbanging On The 29 Bus, featuring Hygiene and Pest Control
  • Shows And Tours, including a newly announced show from The Drin
  • Coming Soon, including new releases from Alerta Antifascista, Beach Impediment, Discos Enfermos, Erste Theke Tontraeger, Fight For Your Mind Records, Static Age, and Vitriol

Featured New Arrivals

Brighter Than Before by States Of Nature / People Problem by Nasti / Ciudades by Ataque Zero / Heel of The Next b/w Physical God by Flower (clockwise)

‘Mass psychology weaponized, by the “best” minds of our time, a new feudalism…in a world condemned to die’ (Heel Of The Next)

New York’s Flower made quite the impact with their utterly ferocious 2022 debut full-length, Hardly A Dream, and this follow-up EP takes their hardcore infused crust punk to a new level of intensity.  Heel Of The Next unfurls with waves of discordant feedback, before erupting into fierce metallic riffage that forges a bleakly infectious groove throughout the track.  Thematically, the song interrogates the social and political facets shaping our current plight, closing on an ominous spoken word finale (‘Someone to blame, as end draws near, someone to hate, someone to fear’).

A spine-tingling opening sets the tone for Physical God, before again surging into the band’s darkly dissonant guitars, underpinned by a powerfully supple rhythm section, as the lyrics tackle our distorted economic priorities.  Across both tracks, harsh, sneered vocals are a highlight – vehemently rhythmic, dripping with disdain, but retaining nuanced inflection.  They bring this second track to a suitably venomous conclusion (‘Idols of gold, melted made new, physical god, twisted into…you’).  A vivid re-imagining of 1980s’ stenchcore (think, perhaps, Nausea meets There Is No Law In Battle-era Bolt Thrower) that skilfully refashions its influences for these rather dark times.

Ciudades (Cities) sees the return of Bogota’s Ataque Zero with their second dose of surging, darkly melodic hardcore.

The band draws members from Colombia, Venezuela, and France.  They coalesced around Bogota’s ‘Rat Trap’ punk community, which gave rise to Muro (with whom the band share drummer Rafael Augusto) amongst many others.  Ataque Zero’s sound shares the raw, impassioned delivery that has come to define that scene, but its driving hardcore base is imbued with a discernible rock’n’roll swagger.  It is also riven with a bleakly melancholic sensibility that draws inspiration from Leatherface’s Cherry Knowle and Hooton 3 Car’s Cramp Like A Fox – this works an absolute treat on Control and Ya No Estás (You’re Not Here Anymore).  Lyrically, the five tracks weave tales of both love and violence within the band’s home city.

Seattle misanthropes Nasti are back with their third full-length, and follow-up to 2021’s Life Is Nasti, and it would be fair to say that they have not mellowed one little bit.  They still don’t like you very much at all.

Nasti continue to forge a sound that, while not adverse to moments of primitive brutality, equally favours flourishes of unexpected invention.  Snarled, vitriolic vocals lock-in with a rhythm section that brims with an avowed menace throughout.  The guitars veer from burly aggression to reckless solos in an instant, while not being entirely averse to moments of sinister melodicism, most notably on bruising opener Not Me.  So, immerse yourself in the bile and relish all that the band has to offer from the mid-paced stomp of Saved, to crushing closer White Fences II, by way of the viscerally infectious Little Things.  Forward-thinking hardcore that literally wants to grind you into the ground, but, well, you know, with flair.

We all have one.  A 7-inch that carries with it an air of the unfulfilled, the ‘what might have been’.  You couldn’t wait to hear what came next, but, for whatever reason, the debut EP sits there as sole testament to a potential unrealised.

For me, one such band was Everybody Row.  Their solitary release, 2014’s The Sea Inside EP, was a rollicking, boisterous hardcore eruption that literally compelled you to dance.

Well, now we have an opportunity to see how that potential future may have played out with the arrival of the Bay Area’s States Of Nature, whose ranks include Eric Urbach from said band on guitar and vocals.  Not that this is to imply any form of direct imitation – sonically the two bands are quite different.  But what they do share is an undeniable desire to inject their hardcore with an innate swing.

Brighter Than Before represents the band’s debut full-length, following three EPs now collected as Songs To Sway. Clean, reverb-tinged, angular guitars joust with a punchy yet limber rhythm section, while Urbach’s nasal vocals are frequently joined to great effect by those of bassist Lindsey Anne, sometimes in layered harmony, at others in aggressive tandem.  The overall effect is one of bright, almost jaunty melodic post-hardcore, liberally laced in equal measure with both a pronounced pop sensibility (Brighter Than Before, The Return) and a spikier dissonance (Tides, Undone).  The upbeat tone belies darker lyrical themes of wilfully flawed housing policies on the raucous New Foundations, and wider social malaise on the bristling American Drone.

Headbanging On The 29 Bus

15 Minute City by Hygiene / Don’t Test The Pest by Pest Control

Bar my opportunity to catch Layback strutting their stuff in typically impressive fashion at the New Cross Inn back in mid-January, this year’s gig going has got off to a bit of a sluggish start.  So, it was with some excitement that I was looking forward to a double-header of a weekend, with two very contrasting bands.

First up, on the Friday night at New River Studios, was Hygiene. The band have a cracking new EP, 15 Minute City, under their belts and the title track opened up what was to prove a typically brilliant set.  Initially what strikes you though is, quite simply, the lack of distortion.  Now, don’t get me wrong, I love distortion and my listening is largely drenched in the stuff.  But there is also a delightful clarity that can be created by its absence. Every crack of the snare, every rumbling bass line, every wave of guitar, individually hits home.  You even think you can hear the pint arcing through the air after one of vocalist Guy Butterworth’s more extravagant dance moves, which, in the spirit of honest reporting, wasn’t all that extravagant.

Of course, one of the highlights of any Hygiene gig is the lyrics themselves.  The songs weave tales of daily London life with a rich sense of place and a keen eye for the small details that both enrich and frustrate us.  But they also develop a compelling narrative as to how those same daily lives have been hollowed out by forty years of skewed political priorities that have degraded public space, eroded social infrastructure, and further entrenched power imbalances.  All while getting you to sing along about their favourite bus route – the 29 down the Holloway Road since you ask.

I should also add how much I enjoyed openers Skinned.  Just shy of wall of distortion guitars, layered vocals that veered from the ethereal to the coldly detached, and all held together by some powerfully inventive drumming.  They bring Creepoid a little to mind in their shared desire to inject shoegaze with a healthy dose of aggressive discordance.

Hygiene are back at New River Studios on 15th March

Sunday night took me very much towards the other end of the musical spectrum with Pest Control hitting the Black Heart on the final date of their UK tour.  I must confess I’ve always had slightly mixed feelings about the Black Heart.  You can buy a decent pint, which is a plus, but the space itself has never quite seemed to work for reasons that I couldn’t quite put my finger on.  Over the years, I’ve seen some great performances there – from Dangers to Dawn Ray’d via Sect.  But crowd responses have always appeared a touch muted despite the excellence on stage.

From the off though, you sensed that this night would be rather different.  The show was sold out and there was a crackle of anticipation in the air, with the bludgeoning Demonstration of Power setting things up nicely.  By the time Pest Control hit the stage, the room was set to erupt and that is exactly what it did.  It was also a perfect example of the joys of a good crossover gig, which by their very essence breakdown the musical barriers that we all busily erect.  Air guitarists at the front of the stage matching the frenzied fretwork, before being subsumed under an old school hardcore pile-on.  The swirling headbanger amidst the sea of frenetic two-steppers.  An A-Z of T-shirts that literally range from Anthrax to Verse.  And when the slab-like riffs of set closer The Great Deceiver course through your body, the pleasures of brilliantly executed crossover are beyond debate.

And if you missed these two shows, you’ll get another chance very soon.  Pest Control are unleashed again this Friday at Damage Is Done 4 (there are still a few tickets available at the time of writing), while Hygiene return to New River Studios on Friday 15th March for the Zeropolis album release show.

Pest Control are back in action this Friday at Damage Is Done 4

Shows And Tours

Damage Is Done 4, February 29th- March 3rd

This section lays no claims to being a definitive listing!  It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in.  I will always try and highlight where a show forms part of a wider UK tour.

29th February Damage Is Done 4 – Fairytale, Take It In Blood, Bullsshit, Subdued, Ikhras, Violent Offence (New River Studios / Fairytale UK Tour)

1st March Damage Is Done 4 – Fugitive, Illusion, Ninebar, Pest Control, Imposter, Instructor, Silver plus more (Colour Factory)

2nd March Damage Is Done 4 – Framtid, Quarantine, The Flex, T.S. Warspite, Stingray, The Annihilated, Mazandaran  plus more (Colour Factory / SOLD OUT)

2nd March Damage Is Done 4 Aftershow – Stiff Meds, Final Dose, Doomsday Clock, Hellish Torment, Accusation (Imperial Works)

3rd March Damage Is Done 4 – Visibly High, Rat Cage, Layback, Träume, Middleman, Turbo plus more (New River Studios / SOLD OUT)

4th March Prey, Ritual Error, Higher Walls, Tethered (New Cross Inn)

6th March Buried Alive, 50 Caliber, False Reality, Mindless (New Cross Inn)

9th March Opium Lord, Torpor, Jotnarr, Harrowed (New Cross Inn)

15th March  Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)

16th March Prey, T.R.E.S.T, Ashes Of Death plus more (Helgi’s)

23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)

31st March Fundraiser For Milo featuring Powerplant, Stingray, Middleman, Micromoon, Hellscape plus more (Oslo)

2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)

4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)

6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)

6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)

13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)

17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)

29th April The Drin, Tommy Cassock And The Degenerators plus more (New Cross Inn / UK Tour)

18th May Snuff plus support (Downstairs at The Dome / UK Tour)

20th May World Peace, Flesh Creeper, Asbo (New Cross Inn)

1st June Long Knife plus support (New River Studios / UK Tour)

17th June Gel plus support (The Garage / UK Tour)

22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)

Coming Soon

Spiritual Pollution by Public Interest

Imminent

Accidente / Nightwatchers ‘Split’ 12-inch (Stonehenge)

Class ‘If You’ve Got Nothing’ 12-inch (Feel It)

Cress ‘Monuments’ 12-inch (Fight For Your Mind)

Morwan ‘Svitaye, Palaye’ 12-inch (Feel It)

Public Interest ‘Spiritual Pollution’ 12-inch (Erste Theke Tontraeger)

Stress Positions ‘Walang Hiya’ 12-inch (Iron Lung)

Vaguess ‘Thanks // No Thanks’ 12-inch (Erste Theke Tontraeger)

March

Aihotz ‘Niebla Total’ 12-inch (Discos Enfermos)

Aus ‘Der Schöne Schein’ 7-inch (Static Age)

Canal Irreal ‘Someone Else’s Dance’ 12-inch (Beach Impediment)

Cosey Mueller ‘Irrational Habits’ 12-inch (Static Age)

Hacker ‘Psy Wi-FI’ 7-inch (Beach Impediment)

Industry ‘A Self-Portrait At The Stage Of Totalitarian Domination Of All Aspects Of Human Life’ 12-inch (Static Age)

Mirage ‘Immagini Postume’ 7-inch (Discos Enfermos)

No Sun Rises ‘Harmisod’ 12-inch (Alerta Antifascista)

Noj ‘Waxing Moon’ 12-inch (Static Age)

Public Acid ‘Deadly Struggle’ 12-inch (Beach Impediment)

Sweat ‘Love Child’ 12-inch (Vitriol)

Wreathe ‘The Land Is Not An Idle God’ 12-inch (Alerta Antifascista / Pre-Order)

April

Deaf Club, Frail Body, Gouge Away, Heavenly Blue, Infant Island, Modern Life Is War, No Man, Prisoner, Unsufferable

Foundation Vinyl Newsletter

Welcome

Hello and welcome to this week’s newsletter!  And there is plenty to get stuck into:

  • Featured New Arrivals include a superb split LP from Massa Nera and Quiet Fear together with cracking new releases from Planet B and Nonexistent Night as well as a welcome discography reissue from Angel Hair
  • Convulse Records Reload
  • Shows And Tours, including new dates from Long Knife and Gel
  • Coming Soon, new releases from Erste Theke Tontraeger, Fight For Your Mind, Static Shock, and Vitriol

Also, a quick heads up that the gig listing includes details of a fundraising show on 31st March at Oslo in Hackney for the family of Miles from T.S. Warspite, who has been hospitalised following a very serious car accident.  If you live in London, do grab a ticket if you can.  We still have the band’s excellent debut 12-inch, Stop The Rot, in stock and will be donating the proceeds from any copies sold prior to the show to the fundraising campaign.

Featured New Arrivals

In The Middle Of A Boiling Sea by Nonexistent Night / Insect Immortality by Angel Hair / Quatro Vientos // Cinco Soles by Massa Nera and Quiet Fear / Fiction Prediction by Planet B (clockwise)

Hailing from New Jersey and Los Angeles respectively, Massa Nera and Quiet Fear have worked collaboratively to shape a split LP – Quatro Vientos // Cincos Soles (Four Winds // Five Suns) – that sees both bands further hone their distinctive, yet intrinsically interconnected, take on DIY fuelled emotional hardcore.

Each band contributes an initial three songs that appear alternately, yielding a compelling organic tension between their respective offerings.  Massa Nera kick off proceedings and theirs is a sound that takes its initial inspiration from 1990s’ screamo, skilfully melding eruptions of discordant fury with passages of eerie beauty.  Quiet Fear’s primarily Spanish-language compositions share a similar base starting point, but they infuse it with a more urgently aggressive hardcore dynamic.

Lyrically, both band’s share similar preoccupations, reflecting on the importance of community resilience to resist the atomising effects of capitalism.  Massa Nera’s contributions exhibit a distinctly introspective flavour to illuminate the dehumanising realities of contemporary society, perhaps most vividly on I Point To The River (‘My debts are measured in the moments I waste, While the clock keeps ticking, I try to qualify each compromise as the years grow shorter, and my thoughts turn colder’).

Quiet Fear’s approach is more direct, tackling misogynistic violence on N.U.M and economic exploitation on Entre Las Manos Y El Colmillo (‘Beneath the fang of gluttony, They consume my soul, Caught in the nets of accumulated debt, Stuck by pills that only numb and give no relief’) before the raucous, rousing defiance of Presidio (‘I am a fortress, You will not siege me, I will not be torn down’).

Fittingly, the oscillating call-and-response between the two bands culminates with Nueva Llama (‘We are the language that breaks the silence of ignorance’), which is co-written and performed by both bands, and brings the album to an utterly searing crescendo.

‘Sick has-been, where are the wise men? The noose will tighten, they can just say when, Every now and then I get an amen, Now do I need to explain this again?’ (Let Me Explain This Again)

Planet B return with a follow-up to their 2018 self-titled debut and continue to forge a sound that bristles with confrontational intent, while still conjuring an utterly infectious groove.  Luke Henshaw marshals the band’s pulsating electronic punk, furiously aided and abetted by the band’s two live drummers (Scott Osment, Deaf Club and Kevin Avery, Retox), drawing inspiration in equal parts from industrial hardcore and hip hop. Justin Pearson (Deaf Club, Swing Kids), meanwhile, rhythmically spits out a venomous, cryptically allusive stream of consciousness that explores how society’s basic lack of humanity and distorted priorities were even more vividly exposed during the Covid pandemic.  The vocals inject a punk aggression that provides a consistent fulcrum as the abrasively inventive sonic battery unfolds around it.

Further texture is provided by a series of guest vocalists who speak to Planet B’s own musical inspirations, perhaps most notably on the insanely catchy The Baader Review (CrowJane), and the throbbing, low-end driven Terrible Purpose (Ric Scales).  Similarly, instrumental contributions from the likes of Tommy Meehan (Squid Pisser, Deaf Club) and turntablist D-Styles as well as, rather poignantly, the late Gabe Serbian (The Locust) and Eric Livingston (Mamaleek), introduce intriguing twists to an album that never relents in its desire to both challenge and surprise.

Now, admittedly, piano-led albums are something of a rarity on these pages.  But rest assured, this is an album that thoroughly demands its place – hauntingly evocative, darkly captivating.

Nonexistent Night hail from San Diego and comprise Carrie Feller of darkwave synth punks Hexa on piano and vocals, together with Sal Gallego (formerly Some Girls) and John Reider of noise punks Secret Fun Club on drums and bass respectively.  Feller’s mournfully beautiful piano forms the heart of their sound, segueing from the sombrely skeletal to the soaringly melancholic, a seamless transition that Feller skilfully matches with her strident yet nuanced vocals.  The rhythm section provides a powerfully measured underpinning, knowing exactly when less is more and, equally, when to unleash their full velocity.  Guitars are used sparingly, slabs of metallic-tinged riffage being deployed to notably crushing effect on Tessalations, while strings imbue Unofficial Soundtrack To The Unconscious and Prelude In Terror with a more elegiac air.

Perhaps, the highlight though is the very quality of the songwriting itself.  In the wrong hands, five songs spanning just shy of forty minutes could lead to blind alleys and lost momentum.  But there is not even a hint of self-indulgence on display, the album being defined by its well-paced dynamics and song structures.  Thematically, the band draw on James Baldwin’s 1957 short story, Sonny’s Blues, and the art of Noelle Mason, whose work using x-ray photography techniques adorns the cover art and liner notes, to examine notions of how music and art can be used to challenge social control and hegemonic perspectives.

Colorado’s Angel Hair were a chaotic hardcore band active between 1993 and 1995.  During this time, they released one full-length, 1995’s Insect Immortality, which constitutes side one of this remixed and mastered reissue from Three One G, and four EPs / split EPs, which comprise the flipside.

Raw, screamed vocals rage in tandem with taut, angular guitars while underpinned by a furiously urgent rhythm section.  The fierce delivery weaves together passages of beguiling, darkly dissonant melody with eruptions of frenzied, unbridled aggression, dramatically fluid in its writhing changes of pace and intensity.  These qualities are particularly well captured on Origin Of Species, T-Minus Sixty Years, and Bedroom Scene From Communion as flavours of Swing Kids and early Fugazi flare through the discordant havocThe lyrics mirror this surging chaos being fragmented and often absurdist in composition.

Convulse Records Reload

Raíces by Spine / World Of Hate by Alienator / Slogan Machine by Gumm / Only Constant by Gel / Exit Interview by Entry / Be My Vengeance by Destiny Bond (clockwise)

A rather exciting reload from Denver’s Convulse Records has just landed here, and they are a set of releases that are definitely worth checking out.

First up, we have two new 7-inch EPs.  Portland’s Alienator have unleashed a vitriol fuelled, stomper of a record, with a title track, World Of Hate, that brims with brilliantly fierce riffage and a chorus that is as catchy as it is nihilistic – ‘Alienate. Alienate. Alienate. World of hate.’  Entry, who hail from Los Angeles, favour blistering speed, but do so without ever diluting their inherent heaviness, and they unleash a visceral dissection of our malformed economic priorities over the ferocious six tracks of Exit Interview.

Then, we have four full-lengths to enjoy.  At the more melodic end of the spectrum come Slogan Machine from Tennessee’s Gumm and Be My Vengeance from Denver’s  Destiny Bond.  The former takes its cues from the ‘Revolution Summer’ era but injects them with an urgent, bristling anger that relentlessly pushes and pulls for dominance with the band’s more melodic instincts.  While the latter explore themes of community and identity through a garage punk infused melodic hardcore that brims with an unyielding positivity.

In contrast, Kansas City’s Spine are back with their rampaging blend of straight-up USHC and power violence.  Raíces (Roots) explores themes of heritage and family in the context of the ever more polarised US political environment, while unleashing a truly abrasive aural battery.  And, finally, but by no means least, we have a fresh batch of the utterly groove laden Only Constant from Gel.

Full write-ups at www.foundationvinyl.com

Shows And Tours

Fundraiser show for the family of Miles from T.S. Warspite, who has been hospitalised following a very serious car accident, at Oslo in Hackney on 31st March. 

This section lays no claims to being a definitive listing!  It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in.  I will always try and highlight where a show forms part of a wider UK tour.

23rd February Eel Men, Hygiene, Skinned (New River Studios)

23rd February Les Savy Fav plus Ditz (Electric Ballroom)

24th February Fiddlehead, MS Paint, Wrong Man (The Garage / UK Tour)

25th February Pest Control, Demonstration of Power, Dynamite, Rhema (Black Heart / SOLD OUT / UK Tour)

29th February Damage Is Done 4 – Fairytale, Take It In Blood, Bullsshit, Subdued, Ikhras, Violent Offence (New River Studios / Fairytale UK Tour)

1st March Damage Is Done 4 – Fugitive, Illusion, Ninebar, Pest Control, Imposter, Instructor, Silver plus more (Colour Factory)

2nd March Damage Is Done 4 – Framtid, Quarantine, The Flex, T.S. Warspite, Stingray, The Annihilated, Mazandaran  plus more (Colour Factory / SOLD OUT)

3rd March Damage Is Done 4 – Visibly High, Rat Cage, Layback, Träume, Middleman, Turbo plus more (New River Studios / SOLD OUT)

4th March Prey, Ritual Error, Higher Walls, Tethered (New Cross Inn)

6th March Buried Alive, 50 Caliber, False Reality, Mindless (New Cross Inn)

9th March Opium Lord, Torpor, Jotnarr, Harrowed (New Cross Inn)

15th March  Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)

16th March Prey, T.R.E.S.T, Ashes Of Death plus more (Helgi’s)

23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)

31st March Fundraiser For Milo featuring Powerplant, Stingray, Middleman, Micromoon, Hellscape plus more (Oslo)

2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)

4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)

6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)

6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)

13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)

17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)

18th May Snuff plus support (Downstairs at The Dome)

20th May World Peace, Flesh Creeper, Asbo (New Cross Inn)

1st June Long Knife plus support (New River Studios / UK Tour)

17th June Gel plus support (The Garage / UK Tour)

22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)

Coming Soon

People Problem by Nasti

February

Ataque Zero ‘Ciudades’ 12-inch (Static Shock)

Class ‘If You’ve Got Nothing’ 12-inch (Feel It)

Morwan ‘Svitaye, Palaye’ 12-inch (Feel It)

Nasti ‘People Problem’ 12-inch (Static Shock)

Public Interest ‘Spiritual Pollution’ 12-inch (Erste Theke Tontraeger)

States Of Nature ‘Brighter Than Before’ 12-inch (Little Rocket)

Stress Positions ‘Walang Hiya’ 12-inch (Iron Lung)

Vaguess ‘Thanks // No Thanks’ 12-inch (Erste Theke Tontraeger)

March

Accidente / Nightwatchers ‘Split’ 12-inch (Stonehenge)

Cress ‘Monuments’ 12-inch (Fight For Your Mind)

Flower ‘Heel Of The Next / Physical God’  7-inch (Fight For Your Mind)

Hellnation ‘Colonized’ 12-inch (Fight For Your Mind)

Sweat ‘Love Child’ 12-inch (Vitriol)

Wreathe ‘The Land Is Not An Idle God’ 12-inch (Alerta Antifascista / Pre-Order)

April

Deaf Club, Frail Body, Gouge Away, Infant Island, Modern Life Is War, No Man, Unsufferable

Foundation Vinyl Newsletter

Welcome

Hello and welcome to this week’s newsletter!  We’ve got another stacked edition, so let’s get straight on it:

  • Featured New Arrivals from Knowso, Abism, Yellowcake, and Kinetic Orbital Strike
  • Metallic Unicorns And Pompadours, featuring Unbroken
  • Pre-order: The Land Is Not An Idle God by Wreathe
  • Shows and Tours
  • Coming Soon, including the forthcoming new album from Sweat and great new releases from Persistent Vision, Static Shock, and Three One G among others!

And, finally, a quick heads up that we have just restocked two records that rather flew out the door first time round.  First up, Screaming Death, the four-way split LP from Destruct, Dissekerad, Rat Cage, and Scarecrow.  And second, the return of Only Constant from Gel.

Featured New Arrivals

LP 2023 by Abism / Can You See The Future? by Yellowcake / The True Disaster by Kinetic Orbital Strike / Pulsating Gore by Knowso (clockwise)

‘If you let me sit, I will become eternal rot, All of this work is for the cycle of decay, All of this work! Oh yes, You gotta do the work if you want to live forever’ (Do The Work)

It’s fair to say that Cleveland’s Knowso are a difficult band to pigeonhole, epitomising as they do their home city’s penchant for taking punk off into wholly unexpected directions.  And for all of its lack of in-your-face immediacy, an often-fleeting quality that can quickly dissipate, their new album is one that tenaciously teases and insidiously entices you into its taut, anxious embrace, and then simply doesn’t let go.  Sardonically deadpan, yet anything but disengaged, vocals take the form of an uncompromising, often layered, invocation, while angular guitars form a densely woven interplay with a rigorously precise rhythm section.

The album’s lyrics are similarly permeated with a tense, off-kilter energy.  The thematic core is vocalist Nathan Ward’s involvement in the bitter, and ultimately unsuccessful fight to unionise his workplace, the band dissecting the ever more unequal struggle between labour and capital.  These issues are explored through an almost psychedelic tapestry of cryptic allusions, repeated fractured slogans, and violent dream-like imagery.  Both musically and thematically, the album is, perhaps, best understood as a single movement, but the bleakly knowing anger that permeates throughout, reaches particular crescendos on Do The Work, Drink From The Lake and Last Of The Punks.

AbismLP 2023

12 Inch

Contemporary d-beat can often seem locked into a relentless escalation of density and speed.  And while this has undoubtedly created some truly fierce records, it is an intriguing departure to hear a band taking things in a very different direction.

New York’s Abism, featuring members of Fairytale and Crazy Spirit, explicitly forsake the aforementioned characteristics in favour of an almost hypnotic mid-paced groove.  The starting point is a rhythm section that is powerful yet unerringly spare, resolutely resisting the temptation for any unnecessary indulgences.  This affords the space for the band’s infectious riffage to breathe and unleash its mesmerising power to full effect, most notably on No Veo El Sol (I Don’t See The Sun) and Libertad (Freedom). It also serves to create room for the barked, rasping Spanish-language vocals to assume the centre stage that they demand as they tackle themes of social injustice.  The overall effect is one of spartan ferocity.

‘Look in the eyes of the war torn soldier, Nothing there but the deadened glare, The city in ruin, A cloud of fire, Another bombing, Two more friends’ (Insensate Power)

Phoenix’s Yellowcake deliver an utterly rampaging d-beat onslaught, on this their debut EP.  The guitars strike a finely judged balance between cleaner, thrashier riffage and more discordant wall of noise eruptions, while the thunderous rhythm section introduces a welcome suppleness as it locks into its underpinning groove.  Harshly urgent, delay drenched vocals bleakly explore themes of war and humanity’s impending demise across a breathlessly fierce, but never blurred, seven tracks that perhaps reach their peak on the blistering side-B opener Visage Of The Flame.

‘Marching into darkness, unable to ever feel again, cast into the unknown, into nameless graves’ (Nameless Graves)

A kinetic orbital strike apparently refers to a rather bleak military fantasy of an inert projectile that can be fired from space and wreak devastation through the kinetic energy it generates on impact.  And as you conjure with that delight, imagine it in musical form – rarely has a band been so aptly named.  K.O.S hail from Philadelphia and this is their debut five-track EP, following on from their self-titled demo, which has also subsequently been pressed to vinyl.  The tracks across both releases were actually recorded at the same time and share the same virulent urgency.  Savagely raw vocals conjure apocalyptic visions, while an utterly manic rhythm section underpins the raw, distorted guitars that verge on the unhinged, hitting with particular ferocity on Evil Action and True Disaster.   Discharge inspired devotion in the vein of Framtid certainly, but a vividly distinctive take, and one delivered with fiercely aggressive precision.

Metallic Unicorns And Pompadours

Unbroken by Unbroken (featuring Life. Love. Regret., Ritual, and It’s Getting Tougher To Say The Right Things) / And b/w Fall On Proverb by Unbroken / Painted By Narrows

‘Swallow my lies, as I obscure my emotions, why must I contest myself, always against myself, embody another likeness, death of true spirit’ (D4, Unbroken)

With Unbroken having just announced a show for London in November, only their second in the UK and their first since 2010, it was apt timing for Rob Moran to be a guest on the Cult & Culture podcast.  The show is hosted by Justin Pearson and Luke Henshaw, both of Planet B, whose new record, Fiction Prediction, will be landing with us next week.  Rob, of course, is Unbroken’s bassist, and also played in a myriad of other excellent bands, including Narrows and Some Girls.

The strength of the interview, as with the majority of those featured on Cult & Culture, is the shared personal and musical history between Justin and his guests, who more often than not also hail from the San Diego scene.  Justin and Rob’s friendship was born in the early 1990s through their mutual collaborations with the late Eric Allen (who played with Justin in Struggle and Swing Kids either side of Unbroken), Unbroken and Struggle playing shows together, and Justin’s Three One G label releasing Unbroken’s 1994 7-inch, And b/w Fall On Proverb.

Thoroughly recommended, the interview is really insightful and benefits from the warmth and, indeed, easy charm, that only friends chatting away can really generate.  The conversation is a wide-ranging one and you sense that it could have spun off in any number of directions, fuelled by Rob’s continued passion for music, taking in everyone from Sepultura to Ned’s Atomic Dustbin by way of Blacklisted and Judge.  One of the most intriguing recurring themes was that of ‘space’ – how it shapes human interaction, and vice versa, spanning the city of San Diego itself, to music venues, such as Iguanas in Tijuana, and Rob’s own coffee shop, Heartwork (named after the Carcass song of the same title).

But the real thrust of Justin’s and Luke’s questioning, is to try and pin down the characteristics that have ensured that Unbroken’s music has both stood the test of time, and also seen the band’s popularity soar since they initially broke-up in 1995.  After all, as Justin says, Unbroken’s is a pretty special legacy: ‘A unicorn, some rare ass shit’.

The first aspect they touch on is that the band’s aesthetic – again in Justin’s words, ‘A bunch of Morrisseys playing Slayer’ – is a pretty unique one.  It certainly helped to fundamentally broaden what it could mean to be a hardcore band, especially bearing in mind that Unbroken emerged from a Californian straight-edge scene that was prone to a certain militancy.  Rob talks about how the band were shaped by introducing their love of British indie and post-punk bands, such as The Smiths, The Cure, Depeche Mode, and Joy Division, to their existing hardcore and thrash metal influences.  At the time, The Smiths were hugely popular, particularly amongst the Latinx community, in Rob’s hometown of Chula Vista.  This connection he believes was shaped by how their songs evoke a sense of not belonging, of being ‘the other’, which spoke to the lived experience of many second-generation Mexican immigrants to the US.

Unbroken’s only previous UK show at the ULU in 2010

These influences were to impact Unbroken’s music well beyond their pompadour haircuts and t-shirts.  Firstly, lyrically the band tackled issues that were far removed from many of their contemporaries, focusing primarily on the desolation and isolation that can define our daily lives.  Rob is cognisant that on some levels this reflected their own emotional struggles as teenagers, as well as being a conscious attempt to bring genuine empathy and emotional depth to their songwriting.  Similarly, as their sound developed, it increasingly exhibited a bleak melodicism that reflected some of the band’s wider influences.

The second aspect explored is whether the longevity of Unbroken’s impact stems from how influential their music was to become on the future directions of hardcore.  And without doubt, their legacy in this regard is significant, forging a musical template that served as foundational for many of the great metallic hardcore bands that followed, and also a lyrical expression that inspired future emotional hardcore bands with the confidence to explore more personal themes.

Yet we have all at some point returned to listen to bands who were hugely influential for us, only to find that their music has paled a little over time, lost that sense of searing vitality that first defined it.  Perhaps, they were very much of that moment in time, or those that followed reimagined those inspirations that much more powerfully.  But that certainly isn’t the case with Unbroken.  Why?

The answer lies in the simple fact that the quality of their music, some thirty years on, is as viscerally engaging as ever, and when this is combined with the other factors discussed, you begin to get to the heart of the matter.  Whether it is the raw, bristling metallic barrage of Ritual (1993), or the darkly melancholic brilliance of Life. Love. Regret. (1994), you experience music that is essentially timeless, as impactful now as the day you first heard it.  This is a very rare achievement indeed.

Rob talks of how disconcerting this enduring popularity can be, not least in the context of Eric Allen’s death.  When they first reunited in 1998 to play a memorial show for Eric’s family, an 1800-capacity venue was booked.  Remembering nights playing to thirty people at the Che Café in San Diego, Rob was genuinely petrified that they would be playing to a half-empty room at best.  It turns out that he needn’t have worried!

Ultimately, Rob characterises the aim of his musical endeavours as being to recognise that we are ‘hopelessly stuck in this machine’, but to ‘make pockets of beauty’ that offset this often-grim reality.  Definitely an interview to check out, and I for one can’t wait for one final opportunity to witness a truly great band in action.

‘If it was real progression, greed would not dictate our souls, if it was real progression, we’d give back what we stole, if it was real progression, we’d burn these lies all down’ (In The Name Of Progression, Unbroken)

‘Cult & Culture’ is available on most podcast platforms, including ruinousmedia.com/cultandculture.

Unbroken are playing The Dome on Friday 22nd November.

Pre-Order: The Land Is Not An Idle God by Wreathe

The Land Is Not An Idle God by Wreathe

A quick reminder that we are running a pre-order for the European pressing from Alerta Antifascista Records of Wreathe’s debut album, The Land Is Not An Idle God.  The expected shipping date is mid-March.

Featuring members of Fall of Efrafa, Morrow, and Arboricidio, this is the debut LP from London’s Wreathe.  The band build vigorously on the foundations of those three bands – roared, often layered, frequently call-and-response vocals, entwined in raucous tandem with towering melancholic riffage and a thunderous rhythm section.  A palpable rage courses through the sonic onslaught, but one that is matched with a defiant optimism that, collectively, all is not lost.

The album’s lyrics are based on vocalist Alex CF’s book, The Book of Venym: An Egalitarian Demonology.  This is a fictional exploration of the philosophy and invocation of a pantheon of pagan nature deities, known as the Increscent, ‘a battle cry for the much-beleaguered idea of compassion above self-interest and bigotry’.  For more details on the source material, check out Dark Myths, Venomous Realities.  A guest vocalist appearance from Autarch’s Jamie Pratt completes the picture.

Persistent Vision Records are handling the North American pressing and release.

Shows And Tours

Deaf Club’s UK Tour – 12/04 Brighton (Hope & Ruin), 13/04 Huddersfield (The Parish), 14/04 Preston (The Ferret), 16/04 Bristol (Exchange), and 17/04 London (New Cross Inn)

This section lays no claims to being a definitive listing!  It is simply gigs coming up in London that catch my eye and that I think people who read this newsletter might be interested in.  I will always try and highlight where a show forms part of a wider UK tour.

16th February Malignant Methods, Layback, Blood Fury, Final Form plus more (Moor Beer Vaults)

23rd February Eel Men, Hygiene, Skinned (New River Studios)

23rd February Les Savy Fav plus Ditz (Electric Ballroom)

24th February Fiddlehead, MS Paint, Wrong Man (The Garage / UK Tour)

25th February Pest Control, Demonstration of Power plus more (Black Heart / SOLD OUT /UK Tour)

29th February Damage Is Done 4 – Fairytale, Take It In Blood, Bullsshit, Subdued, Ikhras, Violent Offence (New River Studios / Fairytale UK Tour)

1st March Damage Is Done 4 – Fugitive, Illusion, Ninebar, Pest Control, Imposter, Instructor, Silver plus more (Colour Factory)

2nd March Damage Is Done 4 – Framtid, Quarantine, The Flex, T.S. Warspite, Stingray, The Annihilated, Mazandaran  plus more (Colour Factory / SOLD OUT)

3rd March Damage Is Done 4 – Visibly High, Rat Cage, Layback, Träume, Middleman, Turbo plus more (New River Studios / SOLD OUT)

4th March Prey, Ritual Error, Higher Walls, Tethered (New Cross Inn)

6th March Buried Alive, 50 Caliber, False Reality, Mindless (New Cross Inn)

9th March Opium Lord, Torpor, Jotnarr, Harrowed (New Cross Inn)

15th March  Zeropolis, Hygiene, Turbo, Johnny Throttle (New River Studios)

23rd March Botch, Bad Breeding, Great Falls (Electric Ballroom / SOLD OUT / UK Tour)

2nd April Spaced, Going Off, Shooting Daggers, Ikhras (New Cross Inn / UK Tour)

4th April Ancient Emblem, Wreathe, Fox Strikes, State Sanctioned Violence (Strongroom)

6th April Wren, Wreathe, Healing Wound, Mortar (Moor Beer Vaults)

6th April Hell Is For Heroes plus support (Electric Ballroom / UK Tour)

13th April Frail Body, Chalk Hands plus more (Downstairs at The Dome / UK Tour)

17th April Deaf Club, Fuck Money plus more (New Cross Inn / UK Tour)

18th May Snuff plus support (Downstairs at The Dome)

20th May World Peace, Flesh Creeper, Asbo (New Cross Inn)

22nd November Unbroken, Shooting Daggers, Rifle, Eyeteeth (The Dome)

Coming Soon

Sweat’s new LP, ‘Love Child’, lands in March

Next Week

Angel Hair ‘Insect Mortality’ 12-inch (Three One G)

Massa Nera / Quiet Fear ‘Quatro Vientos // Cinco Soles’ 12-inch (Persistent Vision)

Nonexistent Night ‘In The Middle Of A Boiling Sea’ 12-inch (Three One G)

Planet B ‘Fiction Prediction’ 12-inch (Three One G)

February (Definitely)

Alienator ‘World Of Hate’ 7-inch (Convulse)

Ataque Zero ‘Ciudades’ 12-inch (Static Shock)

Class ‘If You’ve Got Nothing’ 12-inch (Feel It)

Destiny Bond ‘Be My Vengeance’ 12-inch (Convulse)

Entry ‘Exit Interview’ 7-inch (Convulse)

Gumm ‘Slogan Machine’ 12-inch (Convulse)

Morwan ‘Svitaye, Palaye’ 12-inch (Feel It)

Nasti ‘People Problem’ 12-inch (Static Shock)

Public Interest ‘Spiritual Pollution‘ 12-inch (Erste Theke Tontraeger)

Spine ‘Raices’ 12-inch (Convulse)

States Of Nature ‘Brighter Than Before’ 12-inch (Little Rocket)

Stress Positions ‘Walang Hiya’ 12-inch (Iron Lung)

Vaguess ‘Thanks // No Thanks‘ 12-inch (Erste Theke Tontraeger)

February (Probably)

Accidente / Nightwatchers ‘Split‘ 12-inch (Stonehenge)

Cress ‘Monuments’ 12-inch (Fight For Your Mind)

Flower ‘Heel Of The Next / Physical God’  7-inch (Fight For Your Mind)

Hellnation ‘Colonized’ 12-inch (Fight For Your Mind)

March

Sweat ‘Love Child‘ 12-inch (Vitriol)

Wreathe ‘The Land Is Not An Idle God‘ 12-inch (Alerta Antifascista / Pre-Order)

April

Deaf Club, Frail Body, Gouge Away, Infant Island, Modern Life Is War, No Man, Unsufferable

Pagination

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